自然与人之间的关系是建筑存在的终极理由，同时也是建筑消隐的理由，这是一个表达人与自然最纯粹关系的项目。

一千多年前，陶渊明回归田园，挥笔写下“久在樊笼里，复得返自然”。而今，我们在森林里构建一片艺术空间，去和天地山水对话。愿给予现代城市中每一个繁忙奔波的人以慰藉。

人们在描述一栋建筑时，通常讲述的都是一种场景，因此我们希望建筑作为一种媒介，将人们的活动与自然交织在一起。在当今环境下，建筑不是一味的以视觉取胜，而是更关注使用者的感受，比如我们可以触摸到材料本身的质感及温度，在屋脊阳光的投影下看到斑驳的变化，感受到风与鸟鸣，闻到木头与花香。

在什么样的环境与场景下，时间、空间、心间共同组成了我们的感受。这是一种复合型的设计与组织把控，所以设计本身在于与之相关的描绘，是无界的，这也就是“间”所延展的一部分。

在半山公园中，感性的自然与理性的逻辑碰撞出丰富的空间感知。建筑的室内外空间浑然一体，营造一种具有创新意识的生活观念。随着流动的脚步，徐徐展开一场凝固的动态电影。

采用弧形建筑，让自然景观与建筑相互交融，实现空间通透与园林景观互融，塑造丰富的园区空间体验。以分散的单元环绕着一个中心庭院，并在四周留有视线流动的开口。 

与园区丰富的植物群互为退让、彼此贯穿，形成一片有着自然生态特征的理想居住地。被绿意环抱的庭院内，与绿植融洽的场地明确地模糊了空间界限。将公共艺术融入生活，并促进不同餐饮区域的交流。以庭院为中心，形成流动循环的空间序列设计的核心理念，旨在打破人与自然之间的隔阂。

建筑外挑的屋檐下增加了一条通透的檐廊，一面木纹肌理墙面，一面以静水、石墙、木格栅虚掩绿植，形成廊下半室外的活动区域，串联起虚实相间的餐厅、休闲区等公共空间。

世界如此美妙，天地万物同源于此。即便是我们如此熟悉的山河湖海，于我们之外，依然拥有千里万里的无尽魔力。它们是与我们所生存世界不可分割的一部分。

The relationship between nature and man is the ultimate reason for the existence of architecture, and it is also the reason for the disappearance of architecture, which is a project that expresses the purest relationship between man and nature.

More than a thousand years ago, Tao Yuanming returned to the countryside and wrote "After being in the cage for a long time, I returned to nature". Now, we are building an art space in the forest to dialogue with heaven, earth, and landscape. May it give comfort to everyone who is busy in the modern city.

When people describe a building, they usually talk about a scene, so we wanted architecture to be a medium that intertwines people's activities with nature. In today's environment, architecture is not blindly based on visuals, but pays more attention to the user's feelings, such as we can touch the texture and temperature of the material itself, see the mottled changes under the projection of the sunlight on the roof, feel the wind and birds, and smell the fragrance of wood and flowers.

In what kind of environment and scene, time, space, and heart together constitute our feelings. This is a kind of compound design and organizational control, so the design itself lies in the depiction related to it, which is unbounded, which is part of the extension of "interval".

In Mid-Levels Park, sensual nature and rational logic collide to create a rich spatial perception. The interior and exterior spaces of the building are integrated, creating an innovative concept of life. With the flowing footsteps, a solidified dynamic film slowly unfolds.

The curved building is used to blend the natural landscape and the building, realize the integration of space transparency and garden landscape, and create a rich park space experience. Dispersed units surround a central courtyard with openings for the flow of sight around it.

It gives way to the rich flora of the park and runs through each other, forming an ideal place to live with natural ecological characteristics. In the courtyard surrounded by greenery, the site in harmony with the green plants clearly blurs the spatial boundaries. Integrate public art into life and promote communication between different dining areas. The core concept of spatial sequence design centered on the courtyard and forming a flow cycle aims to break the barrier between man and nature.

A transparent eaves corridor has been added under the eaves of the building, with a wood grain texture wall on one side and green plants on the other side with still water, stone walls, and wooden grilles, forming an outdoor activity area in the lower half of the corridor, connecting public spaces such as virtual and real restaurants and leisure areas.

The world is so wonderful, and all things in heaven and earth originate from this. Even the mountains, rivers, lakes and seas that we are so familiar with still have endless magic for thousands of miles outside of us. They are an integral part of the world in which we live.

设计年份 Design year  2022

主创设计师 Main creative designer  宋伊凡

项目负责人Project Leader  刘国星     刘  涛

项目设计师Project designer  刘庆雷     刘  涛     张  敏     贾园红  赵  琳     张海峰   贾冰辉     刘  泽  袁丹东   许嘉文